Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self, a figure carves himself out of a mass of rock, reminiscent of Michelangelo's idea of seeing a form within a piece of marble and ’setting him free'. This is deeply metaphorical, reflecting timeless themes of purity, effort and self-belief. Poetic concepts such as these run throughout Edwards’ practice, with each piece subtly informed through mythological storytelling, creation beliefs and philosophical thinking.
 
Edwards served a five-year apprenticeship at the world renowned G&H Studios where he learned his craft from the ground up, fine-tuning his ability to portray form and movement. He has publically sited commissions and has become popular with private collectors throughout Europe and America, in particular in his home county of Somerset and the West of England.